Ve.sch – Kunstverein http://www.vesch.org Kunstverein, Wien Sat, 16 Mar 2024 10:32:18 +0000 de-AT hourly 1 https://wordpress.org/?v=6.3.3 Edin Zenun http://www.vesch.org/2024/edin-zenun/ http://www.vesch.org/2024/edin-zenun/#comments Tue, 27 Feb 2024 08:50:08 +0000 http://www.vesch.org/?p=19344 Detail НЕЖНОСТИ, 2023 Ausstellungsansicht o.T. – Gräser, Zinn, 2023 Dimension variabel НЕЖНОСТИ, 2023 Ausstellungsansicht o.T. – Gräser, Zinn, 2023 Dimension variabel Teget, 2021 – Öl auf Leinwand 26 x 21cm o.T. […]]]> 03.08. – 17.08.2023


НЕЖНОСТИ, 2023
Keramik, Zinn
120 x 350 x 1,5 cm















НЕЖНОСТИ, 2023
Keramik, Zinn
120 x 350 x 1,5 cm>
Detail















НЕЖНОСТИ, 2023
Ausstellungsansicht














o.T. – Gräser, Zinn, 2023
Dimension variabel














НЕЖНОСТИ, 2023
Ausstellungsansicht














o.T. – Gräser, Zinn, 2023
Dimension variabel














Teget, 2021 – Öl auf Leinwand
26 x 21cm














o.T. – Tusche, 2023
ca 200 x 300 cm














o.T. – Gräser, Zinn, 2023
Dimension variabel














o.T. – Gräser, Zinn, 2023
Dimension variabel


















НЕЖНОСТИ, 2023
Keramik, Zinn
120 x 350 x 1,5 cm














НЕЖНОСТИ, 2023
Detailanischt













НЕЖНОСТИ, 2023
Detailanischt













]]> http://www.vesch.org/2024/edin-zenun/feed/ 1 Martin Chramosta http://www.vesch.org/2024/martin-chramosta/ http://www.vesch.org/2024/martin-chramosta/#comments Wed, 17 Jan 2024 10:03:10 +0000 http://www.vesch.org/?p=19291




Detailansicht ,Philesota‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
261 x 50 x 26cm
















,Minnedelphia‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
198,3 x 30 x 25cm




























,Winterhafen‘, 2023
Eisen
100 x 100 cm































,Keradeniz‘, 2023
Eisen, Keramik glasiert
135 x 78 cm


































Ludwig Kittinger ,Kärcher‘, 2022
Enkaustik auf Holz
35 x 25cm
















]]> http://www.vesch.org/2024/martin-chramosta/feed/ 1 Drama of Consensus – Exhibition as Desired Space http://www.vesch.org/2023/drama-of-consensus-exhibition-as-desired-space/ http://www.vesch.org/2023/drama-of-consensus-exhibition-as-desired-space/#comments Wed, 13 Dec 2023 07:36:07 +0000 http://www.vesch.org/?p=19168 ]]> http://www.vesch.org/2023/drama-of-consensus-exhibition-as-desired-space/feed/ 1 Waxed In Time http://www.vesch.org/2023/waxed-in-time/ http://www.vesch.org/2023/waxed-in-time/#comments Mon, 11 Dec 2023 10:36:10 +0000 http://www.vesch.org/?p=19145 ]]> http://www.vesch.org/2023/waxed-in-time/feed/ 2 Ludwig Kittinger http://www.vesch.org/2023/ludwig-kittinger/ http://www.vesch.org/2023/ludwig-kittinger/#comments Mon, 11 Dec 2023 10:18:49 +0000 http://www.vesch.org/?p=19139 29.06. – 20.07.2023
«Text by Artan Sadiku, Skopje
Waxed in Time




I see Bee, 2023
Zinkblech, Schellack auf Holz
120 x 67 x 40 cm
29. Juni 2023
dimmed light 20%
















Installation view – Songs of Increase
29. Juni 2023
dimmed light 20%
















Red, 2023
Enkaustik auf Holz
130 x 91 cm

Cane to Chin, 2022
Enkaustik, Öl und Lauge auf Holz, Holzverkohlung
190 x 145 cm

Wendehals, 2023
Wachs, Öl, Acrylfarbe, Lauge auf Holz, Holzverkohlung
47 x 58 cm


29. Juni 2023
dimmed light 20%
















Cane to Chin, 2022
Enkaustik, Öl und Lauge auf Holz, Holzverkohlung
190 x 145 cm
29. Juni 2023
dimmed light 20%
















Wendehals, 2023
Wachs, Öl, Acrylfarbe, Lauge auf Holz, Holzverkohlung
47 x 58 cm

29. Juni 2023
dimmed light 20%
















Red, 2023
Enkaustik auf Holz
130 x 91 cm
29. Juni 2023
dimmed light 20%
















I see Bee I + II, 2023
Zinkblech, Schellack auf Holz
120 x 67 x 40 cm
29. Juni 2023
dimmed light 20%
















I see Bee II, 2023
Zinkblech, Schellack auf Holz
120 x 67 x 40 cm
29. Juni 2023
dimmed light 20%
















Martin Chramosta ,Philesota‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
261 x 50 x 26cm

Ludwig Kittinger ,Red‘, 2023
Enkaustik auf Holz
130 x 91 cm

06. & 13. Juli 2023
exhibition change
Ludwig Kittinger ,Songs of Increase‘
dimmed light 20%
















Martin Chramosta ,Philesota‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
261 x 50 x 26cm

Martin Chramosta ,Fish’n Justice‘, 2023
Keramik glasiert, Eisen
35 x 23cm

Ludwig Kittinger ,Red‘, 2023
Enkaustik auf Holz
130 x 91 cm

06. & 13. Juli 2023
exhibition change
Ludwig Kittinger ,Songs of Increase‘
dimmed light 20%
















Detailansicht Martin Chramosta ,Philesota‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
261 x 50 x 26cm

06. & 13. Juli 2023
exhibition change
Ludwig Kittinger ,Songs of Increase‘
dimmed light 20%
















Martin Chramosta ,Fish’n Justice‘, 2023
Keramik glasiert, Eisen
35 x 23cm

06. & 13. Juli 2023
exhibition change
Ludwig Kittinger ,Songs of Increase‘
dimmed light 20%
















Martin Chramosta ,Minnedelphia‘, 2023
Lackierter Stahl, Keramik glasiert, Beton
198,3 x 30 x 25cm

20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘















20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘















Martin Chramosta ,Winterhafen‘, 2023
Eisen
100 x 100 cm

20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘
















20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘
















,Keradeniz‘, 2023
Eisen, Keramik glasiert
135 x 78 cm

20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘

















20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘
Installationsansicht

















Ludwig Kittinger ,Kärcher‘, 2022
Enkaustik auf Holz
35 x 25cm

20. Juli 2023
exhibition change
Martin Chramosta ,Philesota‘
















]]> http://www.vesch.org/2023/ludwig-kittinger/feed/ 1 Kyiv Biennale 2023 (Wien) http://www.vesch.org/2023/kyiv-biennale-2023-wien/ http://www.vesch.org/2023/kyiv-biennale-2023-wien/#comments Mon, 06 Nov 2023 09:19:50 +0000 http://www.vesch.org/?p=18991 wichtige Unternehmung leisten zu können. Die Arbeiten von Daria Chernyshova sind ongoing
und ebenfalls im Laurenz Space zu sehen.
«Kyiv Biennale 2023



Daria Chernyshova
Intuitive Practice (2019 – Ongoing)
02.01.2021 – graphite, ink, colored pencil on paper
24.07.2021 – graphite, ink, letraset, pastel,
cotton and jute thread on paper
21 x 30 cm

















Daria Chernyshova
Intuitive Practice (2019 – Ongoing)
24.12.2022 – graphite, ink, pastel, on paper
12.10.2022 – graphite, ink, pastel, wax pastel, colored pencil,
cotton and jute thread on paper
21 x 30 cm








]]>
http://www.vesch.org/2023/kyiv-biennale-2023-wien/feed/ 1
Jennifer Gelardo http://www.vesch.org/2023/jennifer-gelardo/ http://www.vesch.org/2023/jennifer-gelardo/#comments Tue, 31 Oct 2023 08:51:35 +0000 http://www.vesch.org/?p=18960 01.06. – 15.06.2023
«Exhibition as Desired Space
text by Max Klawitter
















Ausstellungsansicht Drama of Consensus (Documentation Series)
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas, Holzrahmen,
Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm
















Documentation Series – Richard Ess, Hunter College 2018
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas, Holzrahmen,
Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm















Ausstellungsansicht Drama of Consensus (Documentation Series)
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas, Holzrahmen,
Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm
















Documentation Series – Jumpei Shimada und Laurids Oder, PINA 2017
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas, Holzrahmen,
Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm
















Documentation Series – Anja Kohlweiss, Valie Export Kubus 2021
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas,
Holzrahmen, Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm
















Documentation Series – Simon Speiser, Stuttgart 2014
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas,
Holzrahmen, Akustikschaumstoff Whisper, Tonfiguren mit Wachsmalkreiden
120 x 60 x 3 cm
















Tu Quoque, 2023
Vitrine „Filmmuseum FfM“ Stahlgestell, Plexiglas
100 x 100 x 100 cm
Documentation Series mit Tonfiguren und 6 Fotografien
Anastasia Jermolaewa, MQ 2021
Brishty Alam, Mirage III 2019
Fabio Santacroce, PINA 2018
Parastu Gharabaghi, Mirage II 2017
Philipp Friedrich, E++ 2017
Rebekka Rothenborg, Fig Garden 2021
17 x 12,5 cm

Drama of Consensus, 2023
1-Kanal Video, Installation mit LG-Projektor, Audiostativ, Stahlplatte (Spielbrett)
9 min 1 sec




























Tu Quoque, 2023
Vitrine „Filmmuseum FfM“ Stahlgestell, Plexiglas
100 x 100 x 100 cm
Documentation Series mit Tonfiguren und 6 Fotografien
Anastasia Jermolaewa, MQ 2021
Brishty Alam, Mirage III 2019
Fabio Santacroce, PINA 2018
Parastu Gharabaghi, Mirage II 2017
Philipp Friedrich, E++ 2017
Rebekka Rothenborg, Fig Garden 2021
17 x 12,5 cm















Detailansichten: Tu Quoque, 2023
Documentation Series mit Tonfiguren und 6 Fotografien


































Documentation Series – Robin R Waart, BMKOES 2018
Pigmentdruck auf Hahnemühlen Reispapier, Museumsglas, Holzrahmen
30 x 23,5 cm















A Poem, 2020
Text von Ania Shestakova
Pigmentdruck auf Papier
auf einem Stapel gesammelter Ausstellungstexte
21 x 29,7 cm















A conversation with Jennifer Gelardo & Beatrice Forchini
about the implications of exhibition documentation
In the frame of
Independent Space Index Festival 2023
The festival of project spaces in Vienna















Beatrice:
This exhibition has the title “Drama of Consensus” and we are going to talk about it starting from one of the two main works that Jennifer is showing here and then move on to the other piece, which is now not activated because it’s a video piece that you can see afterwards.
So, I would like to start from the series, the photographic series you’re showing, the “Documentation Series” that you can see here next to us and then in the next room. This is part of a selection of a larger series of photographs that you took as an exhibition photographer of other artist’s exhibitions. So you present shots that are actually meant to come to life as a record or as documentation, but then making this kind of conceptual shift and showing them as part of your work and your research on the exhibition as a desired space”.
I wanted to ask you how this came about and which position this has in your practice of reflecting on how spaces are constructed and what is the kind of investment in terms of desire, imagination, or experiences that artists produce within their work.

Jennifer:
… as an artist, before even taking on or doing the job as an exhibition photographer, before taking on this vocation, I’ve also been staging performances that question what it is, that we’re doing as artists and what this project is, in terms of the human animal, as I like to say after having read Donna Haraway, to put things into a biological context; We as beings need exhibitions for some reason or another. Since 15 years now, this has been a persistent question in my head and since 12 years I’m doing exhibition photography as a job to be able to support myself as an artist, to earn my living. I also like this thing of being immersed in the community with other artists. Serving other artists with pictures that I can take of their work, doing this over the course of 12 years, made this question even more persistent: why are we doing this, as artists? And why are people coming to see it, as viewers? What is the desire behind it, is the question that came up. I hope this would answer the question, right?

Beatrice:
Yes.

Jennifer:
Well then, over the course of time, I came to look at these photographs as windows into the private lives or private imaginary spaces of these authors. Something that people are sharing with us and that when you look at it as an overview or as a comparison, something else happens. This shift is very interesting to me. Then last year I decided to share this overview that I acquired for myself, in an exhibition at Kunstverein Kärnten in Klagenfurth. But as my subjective selection of images that I took over the years. So I wrote the artists, asking them if it’s OK for me to choose a motif of their work, and share them in an exhibition of my own.

Beatrice:
Yes, and what I like is that this also multiplies the possibilities, also of your exhibition here, because of embedding traces that bring an echo of other spaces. In that way you involve a multiple view, that also has influenced your work of thinking about your own desired space in your own exhibition spaces. I like the idea tackling this network that came about through a job that you didn’t think of initially, as your art practice – that of an exhibition photographer, but then turning it into a personal study. In that way there is an echo and there are traces that enter in this space. The decision to show them in this form, encarved into acoustic foam, adds another layer and creates more distance but also makes them more sensual. Because when I see them now, I can see that there is something also very personal, that is not just documentation – it becomes more atmospheric for me.

(…)

An excerpt from a conversation between Beatrice Forchini and Jennifer Gelardo.
On the Implications of Exhibition Documentation in the Framework of the Independent Space Index
Festival, Vienna, and the Exhibition “Drama of Consensus”, June 4th 2023

(…)





Freie Sammlung Wien Nr. 35
Tonfiguren mit Wachsmalkreiden
Dimension variabel










]]> http://www.vesch.org/2023/jennifer-gelardo/feed/ 1 Sebastian Koeck http://www.vesch.org/2023/sebastian-koeck/ http://www.vesch.org/2023/sebastian-koeck/#comments Mon, 23 Oct 2023 09:56:27 +0000 http://www.vesch.org/?p=18833 27.04. – 11.05.2023

is re-examining the third largest media-spectacle of the interwar period:
the demise of Floyd Collins, the greatest cave explorer ever known.




a spelunker, an artist and a teenager
– a fictitious dialogue about Sebastian Koeck’s
exhibition Cave Wars at Ve.Sch
by Leonie Huber











Part of Misfits, 2023
free used shelving, modified by previous owners
size variable













Greatest Cave Explorer Ever Known, 2023
cardboard, glue
440 x 350 x 105 mm
















Abandoned Ticket Booth, 2023
cardboard, epoxy resin, graphite, fishing flies, drawing
450 x 330 x 100 mm
















Part of Misfits, 2023
free used shelving, modified by previous owners
size variable

Rejects, ongoing
discarted autoexport-flyers
size variable















Discovered Crystal Cave, 2023
cardboard, acryllic sheet, twist wire, glue, epoxy resin, graphite,
stripped LED candle electronics, AA batteries
350 x 170 x 70 mm
















Part of Misfits, 2023
free used shelving, modified by previous owners
size variable

Rejects, ongoing
discarted autoexport-flyers
size variable















Untitled, 2023
dimmer module
variable














Installationsansicht














Open Casket with Chains, 2023
cardboard, acryllic sheet, twist wire, glue
150 x 50 x 40 mm

Rejects, ongoing
discarted autoexport-flyers
size variable















Freie Sammlung Wien Nr. 34
Open Casket with Chains, 2023
cardboard, acryllic sheet, twist wire, glue
150 x 50 x 40 mm















Open Casket with Chains, 2023
cardboard, acryllic sheet, twist wire, glue
150 x 50 x 40 mm

Rejects, ongoing
discarted autoexport-flyers
size variable















Part of Misfits, 2023
free used shelving, modified by previous owners
size variable

Rejects, ongoing
discarted autoexport-flyers
size variable















Discovered Crystal Cave, 2023
cardboard, acryllic sheet, twist wire, glue, epoxy resin, graphite,
stripped LED candle electronics, AA batteries

350 x 170 x 70 mm














Discovered Crystal Cave, 2023
cardboard, acryllic sheet, twist wire, glue, epoxy resin, graphite,
stripped LED candle electronics, AA batteries

350 x 170 x 70 mm














Floyd Collins Shrine, 2023
two stacked plastic chairs with natural patina, stickers
850 x 540 x 400 mm
















Floyd Collins Shrine, 2023
two stacked plastic chairs with natural patina, stickers
850 x 540 x 400 mm
















Floyd Collins Shrine, 2023
two stacked plastic chairs with natural patina, stickers
850 x 540 x 400 mm
















Breeze, 2023
open front door, open back door
no size
















Secret, 2023
laminated note
autoexport-flyers-sized








]]> http://www.vesch.org/2023/sebastian-koeck/feed/ 1 Fernando Mesquita http://www.vesch.org/2023/fernando-mesquita/ http://www.vesch.org/2023/fernando-mesquita/#comments Mon, 21 Aug 2023 10:08:51 +0000 http://www.vesch.org/?p=18647 23.03. – 06.04.2023
















Odes, 2023
Cotton and alcantara
1100 x 500 cm















Meduse 1810, 2023
Lead, variable dimensions
(on the floor)













detail view









































Shipping Forecast (Rumours)

There are warnings of Gale in all areas except Alcantara and Terminal 2. The General Synopsis at 0600 Developing Atlantic low, moving rapidly north-eastwards, expected 100 miles north of Fair Isle by 0600 tomorrow. New low expected 230 miles west of Rockall by the same time. The area forecasts for the next 24 hours Viking, North Utsire, South Utsire Westerly 6 to gale 8, backing southerly then veering westerly later, 7 to severe gale 9, occasionally storm 10 in Viking and North Utsire. Very rough or high. Rain or squally showers. Moderate or good, occasionally poor. Forties, Cromarty, Forth West, backing south for a time, 6 to gale 8, increasing gale 8 to storm 10, perhaps violent storm 11 later in Cromarty. Very rough or high. Rain or squally showers. Moderate or good, occasionally poor. Tyne, Dogger, Fisher, German Bight Southwest 5 to 7, occasionally gale 8 in Dogger, increasing 7 to severe gale 9, perhaps storm 10 later. Rough or very rough. Rain or showers. Moderate or good, occasionally poor. Humber, Thames, Dover, Wight Southwest 4 or 5, increasing 6 to gale 8, perhaps severe gale 9 later. Moderate or rough. Occasional rain. Moderate or good. Portland, Plymouth Southwest 4 or 5, increasing 6 to gale 8. Moderate or rough, occasionally very rough later. Occasional rain. Moderate or good, occasionally poor. Biscay, FitzRoy Southwesterly 4 or 5, increasing 6 to gale 8 in north Fitzroy. Rough or very rough. Mainly fair. Moderate or good. Sole, Lundy, Fastnet, Irish Sea, Shannon Southwest 6 to gale 8, increasing severe gale 9 at times, occasionally storm 10 later in Shannon. Rough or very rough in Lundy and Irish Sea, otherwise very rough or high, occasionally very high in Shannon. Occasional rain. Moderate or good, occasionally poor. Rockall, Malin, Hebrides, Bailey Southerly or southwesterly, becoming cyclonic or westerly for a time, severe gale 9 to violent storm 11, occasionally hurricane force 12 in Rockall, Hebrides and South Bailey, decreasing 5 to 7 for a time later. High or very high, Rain or squally showers. Moderate or good, occasionally poor. Fair Isle, Faeroes West 7 to severe gale 9, backing south or southeast then becoming cyclonic or west later, gale 8 to storm 10, increasing violent storm 11 at times. High or very high. Rain or squally showers. Moderate or good, occasionally poor. Southeast Iceland Southerly or southwest, veering west or northwest, 6 to gale 8, occasionally severe gale 9 at first. High or very high. Squally wintry showers. Moderate or good. Weather warning area. Rough or very rough. Storms and severe gales at times. Rain, showers, squally rain, strong winds, frequent squally showers. Windy and wet. Gale or heavy showers. Water and wind driven. Moderate or good. Strong gales and heavy showers. Moderate to fair. Occasional rain. Storms and severe gales at times. Weather warning area. Rain or heavy showers. Gale or heavy showers. Moderate to fair. Occasional rain. Weather warning area. Moderate to rough. Very rough and extremely windy. Rain and strong gusts. Heavy rain. Gale or heavy gales. Dry or fair, occasionally poor. Moderate to rough. Very rough and very windy. Cloudy. Cold and clear. Very cold. Gale or heavy winds and strong gusts. Rain or squally rain. Gale or heavy gales. A very rough gale. Gentle or slight westerly. Rain. Rain with mild drizzle. Cold. Fog. Mist or rain. Clear, sunny, still and cold. Frost. Fine. Storm Adrian update, Sunday 3rd December: Unsettled and chilly throughout. Quiet in the north, showery in the east. High, damp or showery, in the south. Gale or stormy. Very windy in Shetland. Fairly breezy in the south. Fresh or occasionally drizzly. Low, misty. Heavy showers and very windy or very cold. Frosty. Lightly cloudy and cold. Moderate to fresh. Windy. Fairly fresh in the north. Very windy in the far north. Windy. A gale or stormy or stormy or stormy. Windy. Fairly wet in the north. Fresh or occasionally dry. Fairly cold. Frosty. Clear or chilly. Breezy. Foggy. Cloudy. Windy. Fresh and occasionally moderate or heavy in the east. Fresh or occasionally moderate or heavy in the west. Fresh. Moderate to fresh or sometimes very cold. Very fresh or frosty. Cloudy. Dry or moderate. Clear. Windy. Windy. Cold. Very cold. Fresh. Frosty. Widespread frost. Fairly cold. Frosty. Still very cold. Inland fog, gradually lifting or clearing during the day. Forecasts will change.

text contribution by Oscar Perry




























Victory 1744, 2023
Lead, 9 x 4,5 x 41 cm






























Visualisierung Cabinet Amateur, 2023
Installationsansicht

























































Before The Sky, 2021-2023
Oil, acrylic, graphite on canvas
d=186cm, series















]]> http://www.vesch.org/2023/fernando-mesquita/feed/ 1 Markus Krottendorfer http://www.vesch.org/2023/markus-krottendorfer-2/ http://www.vesch.org/2023/markus-krottendorfer-2/#comments Tue, 25 Jul 2023 10:17:27 +0000 http://www.vesch.org/?p=18525 16.02. – 02.03.2023


aus der Serie Terminal 2017 / 2023












Ausstellungsansichten





























Settingkorrektur mit Farbfolien, Dimension variabel, 4-teilig













aus der Serie Powerplants, 2021



























aus der Serie Powerplants, 2021



























aus der Serie Powerplants, 2021



























Settingkorrektur mit Farbfolien, Dimension variabel, 4-teilig








































BeAuTiEs oF ThE niGhT
Live
















Markus Krottendorfer
Freie Sammlung Wien Nr. 33
Binocular, 2021
C-Print
















]]> http://www.vesch.org/2023/markus-krottendorfer-2/feed/ 1